Bilder der Schweiz online (BSO)

Maison de païsan au Canton d’Unterwalden

Hans Felix Leuthold (Verleger); Maison de païsan au Canton d’Unterwalden
Prospect eines wilden Strudels in der Töss bej der Hard

Johann Ulrich Schellenberg (Zeichner und Druckgraphiker); Prospect eines wilden Strudels in der Töss bej der Hard, am Weg von Wölflingen auf Nefftenbach zu sehen, das alte Schloss Wölflingen Schlosshof und Bodmers Müllj. Blatt der Folge «Drei Tösstallandschaften»
Vue d’une partie du Lac de Thoune

Gabriel Mathias Lory (Zeichner), Johann Hürlimann (Druckgraphiker) und Jules Didot l'Ainé (Verleger); Vue d’une partie du Lac de Thoune. Blatt 4 der Folge «Voyage pittoresque de l’Oberland bernois»
Vûe du Chateau de Wimmis et des environs

Johann Ludwig Aberli (Zeichner und Druckgraphiker) und Heinrich Rieter (Kolorist)
Vue de la ville de Lucerne prise à la campagne d’Allenwinden

David Alois Schmid (Zeichner) und Xavier Meyer (Verleger)

The »Bilder der Schweiz online« (Images of Switzerland) initiative is a three-year project at the University of Zurich (2020-2022), jointly undertaken by Swiss Art Research Infrastructure (SARI) and the lecturer for Swiss Art and Museology at the Institute of Art History at the University of Zurich. It is funded by the Fehlmann Family Foundation. BSO on SARI (bso.swissartresearch.net) is the initiative’s semantic research portal. It gives access to a network of digital images and contextual information around depictions of Switzerland. Those depictions were created between ca. 1700 and 1950 and include prints, drawings, postcards and photos. Provenience of the current collection of digital images is the Zurich Central Library, the Swiss National Library and the Fehlmann Family Foundation. SARI is interested in understanding patterns about from where artists drew their sketches. Learning about the production process of drawings and prints allows insight not only in a changing Switzerland, but also changing artistic practices over time. Additionally, the project is interested in local knowledge and encourages the documentation of such knowledge.

This project is generously funded by Stiftung Familie Fehlmann