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Swiss Art Research Infrastructure (SARI)

Experimental Design in the Post-War Period

Heinz Isler (1926–2009) is one of the internationally most renowned Swiss engineers of the second half of the 20th century. He belonged to that generation of civil engineers who, in the first post-war decades, played a decisive role in the design of technical and infrastructural buildings particularly at the interface between architecture and civil engineering. Isler left behind an extensive œuvre, and especially thanks to his thin concrete shells he contributed significantly to the development of engineering in the second half of the century.

Isler’s work is based on experimental form finding methods, and it developed consistently from three experimental principles that he had already introduced in 1959 – the pressure membrane, the hanging cloth, and the freely shaped hill or the expansion form. He continuously developed, tested and verified these principles using models at different scales, which must be considered as his central design tool. The remarkable success of his concrete shells was possible under specific economic conditions over a period of around three decades: from the end of the 1950s he succeeded in obtaining numerous orders, above all from the Swiss industry, but the economy of thin concrete shells slumped noticeably from the end of the 1970s onwards. It can be assumed that the economic conditions of the boom years after the Second World War played a decisive role on his building production; when these changed, his activity based on them also had to enter a crisis. In addition, the question must be asked to what extent the perception of engineering structures apostrophized as «progressive» in general and of concrete as a building material in particular changed in the course of the oil crises and criticism of modernity from the 1970s onwards, and to what extent this also explains the crisis of the «System Isler».

The research project examines Isler’s work from an interdisciplinary point of view and, for the first time, analyses it comprehensively from an engineering and cultural-historical perspective. Based on Isler’s extensive bequest kept in the gta Archive at ETH Zurich, it examines the engineer’s contribution to building production in the second half of the century and investigates the broad concept of experimentation on which his work is based and which made his innovative contributions possible in the first place. In this way, new insights can be gained into internal and public discourses in the design and construction processes of a time that still today shapes the face of the built environment significantly.